The Clash Albums Ranked: From ‘Combat Rock’ to ‘Cut the Crap’

By: Michael's Melodies

Ready for Your Next Show? Buy Concert Tickets Now!

The Clash weren’t just a band; they were a revolution. Their music, a blend of punk, reggae, and rock, has left an indelible mark on the music industry. But with a discography as iconic as theirs, it’s tough to pin down their best work. That’s where I come in.

I’ve taken on the challenge of ranking The Clash’s albums, from their raw debut to their swan song. Whether you’re a punk rock aficionado or a casual listener, this ranking will guide you through the band’s evolution and the gems in their catalog.

So, let’s dive into the gritty world of The Clash and see which albums stand the test of time. Trust me, you’ll want to revisit these records after you see where they land on my list.

Ranking The Clash Albums

Embarking on this journey, I’ve considered everything from lyrical prowess to musical innovation in my ranking of The Clash’s albums. Delving into their discography is like peeling back layers of punk rock history, each album reflecting a different facet of the band’s artistry.

‘The Clash’, their eponymous debut, is raw and unfiltered, a tour de force of the punk ethos. Next comes ‘Give ‘Em Enough Rope’, where the band begins to polish their sound without losing their edge. ‘London Calling’ is where they shatter expectations and genres, a double album so diverse and powerful, it’s often hailed as one of the greatest records of all time.

Then there’s ‘Sandinista!’, a triple album that could be seen as overreaching but nonetheless showcases the band’s willingness to experiment. The follow-up, ‘Combat Rock’, finds a sweet spot, combining the experimental spirit with accessibility. Finally, ‘Cut the Crap’, often regarded as the band’s weakest effort, reflects a period of internal turmoil.

Similar Artists and Influences

The Clash didn’t emerge in a vacuum. Their sonic landscape was influenced by reggae legends like Bob Marley and punk forerunners such as the Sex Pistols. They shared the rebellious spirit of contemporaries like the Ramones and the Buzzcocks but always stood out for their willingness to push boundaries.

The influence of reggae and ska is most evident in tracks like “Rudie Can’t Fail” and “The Guns of Brixton,” while their punk roots shine through in anthems like “White Riot.” The Clash’s eclectic blend of styles paved the way for future alternative bands, setting a precedent for genre fusion that would become commonplace in the music industry.

In charting the band’s growth, it’s crystal clear: The Clash were trailblazers who didn’t just define a genre—they redefined what music could be. Each album marks a point in their evolution, a distinct sound crystallizing the era’s social and political unrest into art. Now, let’s see where these pivotal albums land on my list.

Introduction

Exploring the discography of The Clash is akin to taking a masterclass in punk’s evolution. Raw energy, musical ingenuity, and lyrical prowess serve as the hallmarks of their work. What I find most compelling about The Clash is their knack for fusing punk with other genres, creating a revolutionary sound that resonated across the globe.

While some bands stick to a formulaic approach, The Clash continually broke new ground. Every album feels like both a reaction to and an embrace of the ever-changing musical landscape of their time. “London Calling”, often cited as their tour de force, exemplifies this adaptive and adventurous spirit. As we rank their albums, it’s crucial to consider not only the historical context but also the sheer scope of the band’s musical ambition.

Similar Artists and Influences

The Clash didn’t exist in a vacuum. Their sound was shaped by a plethora of influences and contemporaneous artists who were also pushing the boundaries of music. Bands like The Sex Pistols and The Ramones laid the groundwork for punk’s brash simplicity, which The Clash seamlessly incorporated into their music.

The band’s eclectic taste led them to incorporate elements from reggae legends such as Bob Marley and dub pioneer Lee “Scratch” Perry. This not only broadened their sonic palette but also infused their music with a groovy, rhythmic depth that helped them stand out. Moreover, The Clash shared the punk scene with groups such as Wire and Buzzcocks, bands that similarly valued sharp social commentary delivered through an innovative musical lens.

Looking through the ranks of bands inspired by The Clash, one can’t ignore the likes of U2, Green Day, and Rancid. These bands carried the torch of punk rock’s rebellious spirit and social awareness, each adding their own unique flavor. The influence of The Clash’s pioneering blend of styles echoes in the anthems of many alternative bands that followed, proving the timeless nature of their musical journey.

The Clash (1977)

When I first spun The Clash, the eponymous debut album, I knew I was hearing the beginning of something monumental. Released on April 8, 1977, this record shook the ground with its raw power and fierce political statements. The tracks are infused with a youthful urgency that can still get the adrenaline pumping.

The opening track, “Janie Jones,” sets a relentless pace, followed by classics like “White Riot” and “I Fought the Law,” the latter originally penned by Sonny Curtis of the Crickets but brutally reimagined by the band. Each song carries a punch, both sonically and lyrically, which defines The Clash’s signature punk ethos.

Musical Innovation was high on the agenda for these punk trailblazers. With producers like Mickey Foote at the helm, they brought a rawer audio experience to the mainstream that contrasted sharply with the polished sounds of the late ’70s. This was the anthem of the disaffected youth, full of angst and ready to challenge the status quo.

Influences and Peers

The band didn’t just emerge in a vacuum. They stood on the shoulders of punk forerunners like The Ramones and the gritty rock ‘n’ roll of The Rolling Stones. Yet, The Clash’s ability to meld these influences with their own spin stands out.

In the track “Police & Thieves,” one can hear the clear inspiration drawn from reggae legends such as Junior Murvin and Lee “Scratch” Perry, showcasing the band’s versatility in blending genres. Similar artists that share this rebellious DNA include bands such as The Sex Pistols and The Damned. However, The Clash’s commitment to infusing their sound with elements of reggae and dub distinguishes them within the punk pantheon. Their peers might have shared their brash energy, but The Clash took it in an entirely new direction.

The album’s unpolished grit isn’t for everyone, but it’s exactly this unapologetic authenticity that solidified The Clash as musical revolutionaries. Every strum and shout on The Clash (1977) laid the groundwork for countless alternative bands who dared to speak up and, more importantly, turned up the volume.

Give ‘Em Enough Rope (1978)

After their eponymous debut, The Clash released Give ‘Em Enough Rope, an album that, while not as groundbreaking as their first, still held significant weight in the punk rock scene. This second offering showcased a more polished production and a slight shift towards a more rock-oriented sound.

I remember being struck by tracks like “Safe European Home” and “Tommy Gun,” which retained the band’s edgy attitudes but introduced a new level of sophistication in their music. It was the bridging of their raw beginning and the more experimental future they were heading towards. The album did face scrutiny from purists who felt it edged too close to the mainstream, but in hindsight, it’s clear that The Clash needed to evolve to stay relevant.

Similar Artists and Influences

Give ‘Em Enough Rope echoed influences from a range of artists, with echoes of the Ramones‘ high-octane beats and Mick Jones’s love for classic rock gods like Mott the Hoople bleeding through. Even early nods to reggae fusion were evident, hinting at a deeper exploration of the genre in their future works.

Peers in the burgeoning punk scene like The Sex Pistols may have been grabbing headlines, but The Clash’s influences were broader. Reggae icons like Bob Marley continued to inspire the band, driving home a sound rich in variety and fostering footprints for a more global musical pulse. The nuanced political discourse in the lyrics channeled the ethos of folk heroes like Bob Dylan, adding a layer of introspection to their otherwise frenetic sound.

The album’s impact on future alternative bands cannot be overstated. Its blend of styles and willingness to push the envelope is a testament to the legacy left by The Clash. Bands such as Green Day and Rancid have been vocal about the profound influence The Clash had on their music, often paying homage to the band’s ability to mesh punk with an array of other genres.

London Calling (1979)

Arguably The Clash’s magnum opus, London Calling is a towering presence in the punk rock landscape. With its iconic album cover and the title track serving as an anthem for the disaffected, London Calling shattered the confines of punk, incorporating a range of styles from reggae to rockabilly and everything in between. As I delve into this album, it’s clear that London Calling is not just a record but a cultural moment, capturing the zeitgeist of a generation in flux.

The album’s brilliance is not just in its diversity but in its remarkable cohesion. Tracks like “Lost in the Supermarket” bear witness to the quotidian alienation, while “The Guns of Brixton” pays homage to reggae rhythms, preluding the band’s future explorations in genres like dub and ska. Embracing these elements showed a pivotal point in The Clash’s evolution, where they became more than a punk band—they became musical alchemists.

Similar Artists and Influences

When exploring the roots of London Calling, it’s impossible not to mention the mutual admiration between The Clash and certain contempories. Bands like The Sex Pistols and The Ramones shared the same punk ethos, while The Clash’s genre-bending propensities reflected the varied influences they embraced. The album echoes the sounds of rock ‘n’ roll pioneers such as Elvis Presley and the edgy, skittering rhythms of ska legends like The Skatalites.

Joe Strummer and Mick Jones channeled raw energy much like their punk counterparts, but with London Calling, they also channeled the soul of Motown and the bluesy melancholy of artists like Muddy Waters. The presence of Guy Stevens as producer, known for his work with Mott the Hoople, certainly added a layer of rock legitimacy and polish to the mix, ushering in a new era for the band where they became influencers themselves. Future bands such as U2 and The Strokes owe a debt to this innovative album, which serves as a beacon for blending musical styles.

Sandinista! (1980)

Following the monumental success of “London Calling,” The Clash ventured even further with their triple album, “Sandinista!” This ambitious release stretched across six sides of vinyl and spanned a staggering 36 tracks. Its vast musical landscape can be overwhelming but is a testament to the band’s endless creativity during this period, as they delved into genres like jazz, gospel, and hip hop.

The sheer scope of “Sandinista!” makes it a polarizing album among fans and critics. While some argue it lacks the punch and focus of “London Calling,” others praise it for its daring experimentation. Songs like “The Magnificent Seven” and “Hitsville U.K.” showcase the band’s willingness to break new ground, intermingling their punk roots with broader musical threads.

Influences and Similar Artists

At this point in their career, The Clash weren’t just absorbing influences; they were also a primary force in shaping contemporary music. “Sandinista!” reflects their growing fascination with world music, something that bands like Mano Negra and The Mescaleros would later emulate. Moreover, the dub and reggae influences signal a nod to legends like Bob Marley and King Tubby, whose work is intricately woven into The Clash’s ever-expanding sonic tapestry.

The eclecticism of “Sandinista!” also echoed the diversity seen in artists like David Bowie and Talking Heads, who were also pushing boundaries in their own right. With “Sandinista!”, The Clash carved a pathway for future acts and it’s easy to hear their influence on bands ranging from R.E.M. to Beastie Boys, who have likewise blurred genre lines in pursuit of artistic expansion.

As I dive deeper into the tracks, the undercurrents of world unrest and political engagement become evident. The Clash’s persistent voice for social and political issues rings clear in tracks such as “Washington Bullets” and “Charlie Don’t Surf.” There’s no denying that “Sandinista!” remains a bold statement in the catalog of The Clash, its sprawling nature capturing a band unafraid to experiment and challenge the musical status quo.

Combat Rock (1982)

After the ambitious sprawl of “Sandinista!”, The Clash made a pivot with “Combat Rock,” an album that brought more focus and a leaner sound to their music. Released in May 1982, this record became The Clash’s bestselling album, powered by hit singles “Should I Stay or Should I Go” and “Rock the Casbah.” These tracks not only dominated the charts but also managed to resonate with a broader audience, representing a move into a more radio-friendly territory. However, “Combat Rock” still carried The Clash’s signature punk edge and political commentary, evident in songs like “Straight to Hell” and “Know Your Rights.”

As always, The Clash’s ability to blend different genres played a role in the creation of “Combat Rock.” While the album’s soundscape was more restrained than “Sandinista!”, it continued their exploration of diverse influences, with splashes of funk, reggae, and even spoken word elements throughout. As the fifth album in their discography, “Combat Rock” is often seen as a bridge, melding the raw punk of their early work with the experimental sounds that they had come to embrace.

Similar Artists and Influences

“Combat Rock” echoes the mood of the early 80s, with bands like U2 and R.E.M. emulating The Clash’s mix of rock with deeper political messaging. The parallels between these bands lie not only in their sound but also in the ways they engaged with the world through their music. The social activism inherent in “Combat Rock” rang similar to the work of Bruce Springsteen, especially in his early 80s albums like “Nebraska.”

The Clash’s impact is also evident in the rise of bands that would come to define the alt-rock genre. Acts like Manic Street Preachers and Green Day often cite The Clash as a vital influence, drawing on their ability to combine punchy, melodic hooks with thought-provoking lyrics. It’s clear that without The Clash’s pioneering efforts, particularly those evident in “Combat Rock”, the alternative music landscape would be distinctly different.

Cut the Crap (1985)

Released in 1985, “Cut the Crap” is commonly referred to as The Clash’s weakest album. Following the departure of key members Mick Jones and Topper Headon, the band’s dynamic drastically changed. The album attempted to return to the raw punk aesthetic that initially propelled the group to fame, but unfortunately, it lacked the spark of their previous works.

Production challenges played a significant role in the album’s reception. With manager Bernie Rhodes taking an unusual step into the production role, many fans and critics felt the album was over-produced. The substance and sharpness that were hallmarks of The Clash’s earlier records seemed diluted amidst synthesized drums and chants. Despite the lead single, “This is England,” being praised for its reflective lyrics, it couldn’t save the album from being met with overall disappointment.

Looking at the broader punk landscape, it’s clear The Clash’s influence remained strong. Bands like Bad Religion, Social Distortion, and NOFX maintained the punk rock flag, each echoing different aspects of The Clash’s earlier work in their own styles. Notably, Bad Religion’s melodic hardcore took cues from The Clash’s ability to blend catchy melodies with a punk rock ethos.

On the international scene, bands such as The Hives and The Libertines also cited The Clash as a significant influence, drawing on that iconic blend of punk’s rawness and reggae’s groove to inform their own music. How these artists took fragments from The Clash’s foundation and created something new underscores the undeniable impact “Cut the Crap,” for all its faults, had in the lineage of punk music.

Still, it’s hard to ignore the shadow that “Cut the Crap” casts. Instead of providing a fitting bookend to The Clash’s influential career, it served as a stark reminder that even the mightiest bands can falter. As I reflect on its place in their discography, it’s the powerful legacy The Clash built before this release that continues to stand out, influencing emerging artists and keeping the punk spirit alive.

Conclusion

I’ve explored the highs and lows of The Clash’s discography, from the groundbreaking “Combat Rock” to the less celebrated “Cut the Crap.” It’s clear that The Clash’s musical journey has left an indelible mark on the punk genre and beyond. Their ability to evolve while influencing a diverse range of artists speaks volumes about their legacy. As I reflect on their albums, it’s the innovation and raw energy of The Clash that continue to resonate with fans and musicians alike. They’ve not only defined an era but also set a standard for what punk can achieve. And that’s something that time can’t erode. The Clash’s music endures, reminding us that the spirit of punk is much more than a moment—it’s a movement that keeps on rocking.

Why is “Combat Rock” considered The Clash’s bestselling album?

“Combat Rock” is considered The Clash’s bestselling album because it brought a more focused and leaner sound to their music. Released in 1982, it featured hit singles like “Should I Stay or Should I Go” and “Rock the Casbah,” which helped propel its popularity. The album showcased The Clash’s signature punk edge and political commentary while blending different genres like funk, reggae, and spoken word elements. Its ability to combine catchy hooks with thought-provoking lyrics appealed to a wide audience, making it a commercial success and solidifying its place as the band’s most popular album.

How did “Combat Rock” impact other bands?

“Combat Rock” had a significant impact on other bands, influencing their sound and approach to music. Notable bands like U2, R.E.M., Bruce Springsteen, Manic Street Preachers, and Green Day drew inspiration from The Clash’s ability to combine catchy hooks with thought-provoking lyrics. The album’s blend of different genres and political commentary became a blueprint for bands seeking to create music with substance and social consciousness. As a result, “Combat Rock” played a pivotal role in shaping the direction of punk and alternative music, leaving a lasting impression on the industry.

Why is “Cut the Crap” considered The Clash’s weakest album?

“Cut the Crap” is considered The Clash’s weakest album for several reasons. Released in 1985, it marked the departure of key members Mick Jones and Topper Headon, significantly changing the band’s dynamic. The album was also criticized for being over-produced, diluting the substance and sharpness that characterized The Clash’s earlier records. The absence of Jones and Headon’s contributions, along with the perceived lack of authenticity and rawness, resulted in a disappointing and weaker overall sound compared to their previous works.

Did “Cut the Crap” have any influence on other punk bands?

Despite its shortcomings, “Cut the Crap” still had an influence on the punk landscape. Bands like Bad Religion, Social Distortion, and NOFX echoed different aspects of The Clash’s earlier work in their own styles. While the album may not have reached the same level of critical acclaim as The Clash’s earlier albums, it still left an imprint on the punk genre’s development. Its legacy lies in its ability to inspire and remind subsequent punk bands of the raw energy and revolutionary spirit that characterized The Clash’s earlier works.